Monday, 8 April 2013

Arles 2013 - Feria de Pascua (III)



The view from the sofa - my thoughts on corridas I have watched on TV
31/03/2013 Cebada Gago – Luís Bolívar, David Mora & Marco Leal
Another enjoyable afternoon at the hands of Luís Bolivar, David Mora and Marco Leal with Cebada Gago bulls.
The presentation of Cebadas followed from the notable string of Torrestrellas with another set of fine yet impressive animals, the grey fifth bull was particularly beautiful. Their performance was varied yet interesting, a combination of the teasingly tough bull (run in second place), the brave spectacular bull (run in third place) and the noble bull (run in fifth place).

The afternoon’s best faena came at the hands of David Mora. He was able to unlock the noble and profound charge of the fifth bull and constructed a serious and meaningful faena around these virtues. The bull’s initial charge was uncertain, but once focused it had a repetitive and deep charge, Mora was able to harness the bull's positive qualities and based his faena on pure and long derechazos. A good sword thrust gave him an ear, which perhaps should have been two. I was surprised at the lack of petition for the second ear, the faena had been meaningful, but arguably lacked connectivity with the crowd; he was unable to provide the pyrotechnics that Padilla has used so efficiently to reach the crowd the day before, and this probably cost him the second ear. A pity. He first bull was tough and uncertain, but Mora stood his ground and was firm, such firmness cost him an ugly tossing, but showcased his strong mentality.
The corrida’s emotive highlight was the tercio de varas performed by the third bull, called Lagarto. Aside from the obligatory two pics, its matador, Marco Leal, subsequently ordered it to be placed on the opposite side of the arena for two further pics (given that the ring is elliptical, the first placement was across the width of the arena and the second across the length of the same). Lagarto rose to the challenge admirably charging on both occasions and vindicating the emotional and aesthetic values the suerte de varas. A great tercio de varas of course requires a good performance by the picador, on this occasion Gabin Rehabi stood up to Lagarto’s test with bravery and composure (incidentally, I did not know this picador before Sunday’s corrida, but there are some good videos of him piccing on YouTube if anyone is interested). Of course, the lidia goes beyond the pic, and the next test was to assess Largarto’s performance in the final third – unfortunately, Leal was the corrida’s least experienced torero and therefore we are left in doubt as to whether the poor conclusion was down to the bull or the torero. It was a long faena marked by inconsistent toreo. The bull’s charge seemed classless, but, on occasions, Leal was able to lower his hand and extract a meaningful class. The overwhelming feeling was that Leal had been unable to extract the bull’s bravura in order to construct a faena; however, I would hasten to add that, perhaps, the bull had gained favour with the afición after the tercio de varas and they were less willing to see the difficulties posed by the bull in the final third.

Leal’s final bull was clearly more complicated and, once again, the faena was characterised by inconsistency. On occasions Leal was able to submit the bull to his toreo, but all too often the bull passed him by and caused problems. It would have been instructive to see his lot in more experienced hands. Leal also placed his own banderillas and did so with the ease one would expect from a specialist matador banderillero – they were not tercios that will live in the memory, but they were perfectly pleasant for the present.
Luís Bolivar is a torero that likes to cite his bulls from afar and has based his tauromaquia on the Cesar Rincón tenets of distance, dominance and timing and he sought to impose these on both of his bulls with mixed effect. His first faena was a crescendo of series of right hand passes. The opening few series were of low intensity and served to fix the bull on his muleta without overly overpowering it; once this was achieved, he increased the intensity of the passes and performed two very admirable and moving series of derechazos. An excellent sword thrust (both in execution and effect) gave way to an ear. The fourth bull was more uncertain and gazapón, the resulting faena, once again based around cites from distance, was therefore more uneven and never developed as we would have hoped. A satisfactory afternoon from Bolivar that, for its worth, did not show any dimension that would lead us to believe that he is anything more than one amongst many capable, but not brilliant matadors.

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