Friday, 1 May 2015

SEVILLA 24/04/2015 – Novena Corrida


The view from the sofa, my thoughts on corridas I have watched on TV.

 

Nuñez del Cuvillo Bulls for Rivera Ordoñez, José María Manzanares and David Galván.

 

A glamorous corrida for the Friday of the feria. Rivera was an underwhelming choice to open proceedings, he was not an intriguing torero when he retired a few years ago, and he is certainly holds no interest on his return. Given his off the sand fame he will be chosen by figuras as their opening act of choice during the season, much to the detriment of the afición. José Mari, still suffering some of the after effects caused by his bout of gastroenteritis, had his last chance to leave his mark on the feria. Moreover, in the scheme of Manzanares’ temporada, a triumph in Sevilla, his favourite plaza, would set down a marker to the other figuras.  David Galván is a young torero from San Fernando who, despite his promising path as a novillero, had not managed to establish himself in the senior escalafón. He has given us some heartening performances in Algeciras and Los Barrios last year, but Galván needs a strong performance in big feria before these opportunities dry up.

The Cuvillo bulls offered an excellent spectacle. Yesterday we had a tough and emotive string of Victorino bulls; today’s animals provided excellent fodder for good faenas de muleta. They were noble and obedient, but charged with enough verve to create emotion. Moreover, despite their compliant condition, they would not forgive a mistake and gave each of Manzanares and Galván serious looking tosses. Unfortunately, the bulls did not receive the treatment that one might have hoped and the only real memorable moments of the corrida came from Manzanares’ muleta.

Rivera, as we feared, was poor. I was about to say disappointing, but that might imply certain expectation. His bull’s offered him noble charges but his toreo to both bulls was entirely cold. Fran was clean and professional, because, after all, we are talking about a torero with twenty odd years’ experience. However, despite a couple of neatly timed series to his second bull, the only conclusion is that both bulls had been wasted.

Manzanares’ afternoon was complex. Had he killed swiftly we would undoubtedly be writing about a well-deserved four ear triumph, but there is the inescapable niggle that he was below the level of both bulls. Manzanares has become a polarising torero. His supporters are drawn to his emphatic elegance and uterly effective sword, while his detractors argue that his toreo tends to expel the bull during the pass and his series are too short. As always, the truth lies in the middle, as we breakdown his performance this afternoon we can unpack the essence, and short comings of his toreo.

His first bull, Encumbrado by name, was superb. It would follow the lure long and true, obey each toque of the muleta and wiling repeat charges. It was brave, but without being suffocating. A supremely classy bull that no doubt approaches the ideal the Cuvillo seeks. Given the plaza, and the torero, it is impossible not to think of Arrojado, the excellent Cuvillo bull pardoned in La Maestranza in 2011 – Encumbrado perhaps lacked the verve of Arrojado, but he was still an excellent specimen.

With him Manzanares was able to showcase all the positives of his tauromaquia. Given the ease with which the bull could be toreado, Manzanares was able to focus all his energy on producing his classy and elegant toreo. The series en redondo flowed smoothly during the long faena, principally with the right hand and underscored by Manzanares’ classic aesthetic; each successive series was more emotive than the previous one as he constructed a faena worthy of two orejas. José Mari’s accessorial toreo was equally beautiful, especially the authoritative trincherazos and eternal cambios de mano. It had been a very good faena, but there was something missing. Despite the aesthetic value of the faena, the series were too short, three derechazos and the remate, and he kept the bull too far from his body at each juncture. Therefore, although the faena was worth a strong triumph, it was not entirely fulfilling.

Manzanares improved with his second bull. It lacked the insulting quality of his first, but was still an excellent animal. His series en redondo continued to be overreliant on the right hand and too short - I feel that Manzanares seeks to give a minimum amount of passes en redondo and cuts them short just as the series should reach its emotive peak, yet he saves himself with his wonderful remates. However, he injected greater emotion to his work with this bull and performed close toreo. Moreover, he misjudged a desplante and suffered a serious tossing which added an epic element to this faena. He opted for an estocada recibiendo and would surely have secured two ears had he not pinchado. Despite his shortcomings, I still value Manzanares’ contribution to the escalafón. Although we can poke holes in his toreo, his elegant manner is to be enjoyed.  

Galván, for his part, also had an inconsistent performance. He was markedly below the level required to his first bull. Cuvillo had given us another noble and classy bull, which would compliantly obey the lures. However, David never managed to get the right distance or positioning to help it repeat its charges. He was therefore unable to link toreo en redondo and the bull’s worth was lost in a sea of single and unfulfilling passes.

It seemed that the plot was following the same arc with the sixth bull. The animal was not as good as its five brothers, but still offered quality charges. The faena, and he afternoon, was seemingly dissipating until Galván suffered a spectacular toss. It initially seemed that he was injured, but David dusted himself off and produced an emotive arrimón that helped justify his afternoon’s work. However, worryingly for Galván’s career prospects, despite the excitement created by his arrimón, his toreo had not produced the triumph that he needed to develop.

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